A COMPLETE MANUSCRIPT IN 90 DAYSEVERY WORD UNDER NDA — YOUR NAME ON THE COVER, MINE BEHIND THE CURTAIN

Hiring a Ghostwriter

This is one of the most common questions I get — and it deserves a cleaner answer than most people give it. A book coach and a ghostwriter do genuinely different things. The right choice depends not on preference or budget alone, but on a specific set of questions about your goals, your timeline, your existing writing capacity, and what you want your relationship with the finished book to feel like. Here's the framework I use with every prospective client before we ever discuss working together.
Ghostwriting is one of publishing's worst-kept secrets and most misunderstood practices. The moral panic around it resurfaces every few years — usually when a public figure's book gets attributed to a ghost. Here's what thirty years inside the industry has taught me about the ethics, the reality, and why the question itself is based on a misunderstanding of what authorship actually is.
Book coaching is one of the most unregulated spaces in publishing. There are no qualifications required, no industry board, no certification that guarantees competence. Anyone can put up a website and call themselves a book coach — and thousands of people do. Which means that the difference between a transformative experience and an expensive disappointment comes down entirely to the questions you ask before you sign anything. These are the seven questions that matter.
The honest answer to how much a book coach costs is: it depends enormously — and the price alone will tell you almost nothing useful about whether the coach is worth it. A $200 hourly session with someone who has spent thirty years producing New York Times bestsellers delivers a fundamentally different thing than a $200 hourly session with someone who completed a coaching certification last year. This guide breaks down what you're actually buying at each price point, what to ask before you commit, and how to think about the investment in terms of what the book is worth to your life and career.
The range is genuinely enormous — from $500 on Fiverr to $200,000 from top-tier literary ghostwriters — and most of what you'll find online makes it more confusing, not less. But ghostwriting pricing isn't arbitrary. It follows a logic. And once you understand that logic, the decision becomes a lot clearer. Here's a plain-English breakdown of every price tier, what you actually get at each level, and the question that matters far more than the price tag.
The first time most people hear 'book coach,' they picture someone sitting next to them with a red pen and a disappointed expression. That's not a book coach. A real book coach is the person who walks beside you while you build your book yourself — making sure the foundation is solid, the structure holds, and the whole thing doesn't collapse on page forty-three. Here's what the job actually looks like, and how to know if it's what your book needs.
Most people looking for a ghostwriter have no idea what they're actually looking for — and the bewildering range of options (from $500 Fiverr listings to $150,000 literary agencies) doesn't help. After thirty years as a ghostwriter, including four New York Times bestselling collaborations, I can tell you that the price range isn't the confusing part. It's knowing what questions to ask. Here's exactly what to look for, what to avoid, and how to find the right person for your specific book.
✦ Free · Friday 25 September · Virtual Espresso Createcation. 45 seats, because I’m turning 45. Grab a seat
Word Magic
FREE · ONE PAGE · FOUR MINUTES

You’ve told more people about this book than you’ve written pages of it.

These are the 3 questions I ask before I agree to write anyone’s book. The authors who can answer them finish. The ones who can’t spend 2 years writing the wrong book for a reader who was never going to turn up.

Four minutes, and you’ll know who yours is for, what it does for them, and the thing you know so well you’ve stopped noticing nobody else does.

The newsletter is publishing, what I’m actually working on, and the bits nobody says out loud. No six-part win-back sequence if you leave.